If you’re in the mood for bone-crushing industrial chaos fused with the brutality of death metal, Czechia’s Voidmonger delivers a relentless auditory assault with their debut album, Lies of Aquarius. Released last year, the record is a grim manifesto, drenched in apocalyptic warnings about the sinister forces lurking both in the physical world and the digital ether. It’s a harrowing journey, brimming with cyber-infused malice and grim narratives, crafted through ten bone-rattling tracks.
The album wastes no time plunging listeners into its dystopian abyss. From the opening track, Voidmonger conjures a sense of impending doom with ferocious precision. “Final Bloodbath” offers terse, blistering aggression, while “Satrimal Depths” delivers a rhythmic yet equally cynical pummeling. The outro, where the vocalist repeatedly wails, “I embrace you,” feels like a grim chant embracing the collapse of modern sanity. This track showcases Voidmonger’s ability to merge pulverizing brutality with haunting melody, offering a rare moment of accessibility amid the chaos.
“Dark Divine” stands as one of the album’s highlights, merging techno-inspired beats with pounding guitar riffs. The eerie backdrop provides the perfect canvas for the vocalist’s guttural pleas: “Hear the silent prayers of my sorrow alive / How longingly my soulless flesh weeps under your task.” It’s a track that embodies the bleak warnings Voidmonger aims to communicate, blurring the lines between industrial nihilism and visceral death metal.
Despite their aggressive foundation, Voidmonger demonstrates a surprising capacity for evolution and sonic nuance. As the album progresses, a notable shift emerges—keyboards and synths weave through tracks with increasing prominence, and moments of unexpected melody surface from the chaos. This evolution is most evident on the closing track, “Heretical Aftermath.” What begins as a soaring alt-metal anthem transforms into a haunting meditation on the futility of existence, somehow managing to feel both bleak and weirdly inspiring.
The sonic arc of the album is deliberate, with “Guiltseeker” and the self-titled opener acting as ferocious bookends for Voidmonger‘s descent into darkness. Hooks appear in surprising places, suggesting that beneath the wall of noise lies a carefully constructed narrative. It’s a testament to the band’s growth and willingness to experiment beyond the confines of industrial and death metal conventions.
Lies of Aquarius is an adrenaline-fueled, eardrum-puncturing call to arms against the creeping dehumanization of the digital age. It paints a grim picture where humanity teeters on the brink of its own annihilation, both physically and spiritually. For those willing to immerse themselves in Voidmonger‘s dystopian vision, the reward is a raw, cathartic experience—an aural embodiment of our collective anxieties. This is not just a piece of music; it’s a primal scream against a future hurtling toward darkness.
For more about Voidmonger visit their website, and follow them on Facebook and Instagram.
Lies of Aquarius is an adrenaline-fueled, eardrum-puncturing call to arms against the creeping dehumanization of the digital age.
